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* [http://rhizome.org/editorial/2960 Interview with Casey Reas and Ben Fry] by Daniel Shiffman (2009). Great background on the history and evolution of [http://processing.org/ Processing]. | * [http://rhizome.org/editorial/2960 Interview with Casey Reas and Ben Fry] by Daniel Shiffman (2009). Great background on the history and evolution of [http://processing.org/ Processing]. | ||
* [http://cyber.law.harvard.edu/node/4489 Q + A with Jon Ippolito and John Bell on Open Source Art]. A discussion of how open source values and practices can inform artistic practice. Ippolito and Bell are two of the people responsible for [http://pool.newmedia.umaine.edu/index.php The Pool], an online site for artists somwhat analogous to open source sites like [http://www.mozdev.org/ Mozdev.org], [http://sourceforge.net/ SourceForge.net], and others. | * [http://cyber.law.harvard.edu/node/4489 Q + A with Jon Ippolito and John Bell on Open Source Art]. A discussion of how open source values and practices can inform artistic practice. Ippolito and Bell are two of the people responsible for [http://pool.newmedia.umaine.edu/index.php The Pool], an online site for artists somwhat analogous to open source sites like [http://www.mozdev.org/ Mozdev.org], [http://sourceforge.net/ SourceForge.net], and others. | ||
* [http://www.osbr.ca/ojs/index.php/osbr/article/view/980/943 Opening the Source of Art] by John Bell. More on The Pool and related projects. "Since interpreting art is not nearly as straightforward as interpreting code, retroactively 'commenting' an artwork is problematic at best. What is needed in the arts are systems that remove the need to reverse-engineer an artwork by preserving not just the artifacts that go into its construction, but also the ideas, methods, and thought processes of the people involved in making the artwork." | |||
Selected examples of artists working with open tools: | Selected examples of artists working with open tools: | ||